‘Caitlin Karolczak: Imitations of Mortality’ at the Satanic Temple
Throughout history, women have been more commonly recalled as muses than artists. Karolczak lays claim to both, using both self-portraiture and other imagery in reclamation of identity. Her art practice also exhibits a preoccupation with the male portrait, examining prevalent notions of fetishization and oft-not-seen vulnerability. Karolczak’s richly layered works combine age-old painting techniques with bold, contemporary mediums. Featuring countless...